#Frame fuji camera full#

I miss the dedicated exposure compensation dial, for example. ISO, shutter speed, mode, and exposure compensation are typically handled via dials on the X-T3 or X-T4 none of these are handled by physical dials here. Fuji cameras are typically known by their plethora of physical controls (particularly dials), so it is more than a little ironic that their flagship cameras almost entirely abandon those physical dials for virtual ones accessible through the top LCD.

I’ve found it a little surprising that these higher end cameras have fewer physical controls than many of their lower end APS-C cameras. This is essentially the exact same body as what I tested in the GFX50S II, and it shares similar controls. You can see that the framing and depth of field from the GF 110mm is about the same as the Sigma 85mm F1.4 DN lens I had mounted on the Sony Alpha 1.

#Frame fuji camera full#

I’ve previous reviewed the Fujinon GF 110mm F2 lens from Fuji, and if you do the math, it roughly corresponds an 85mm F1.4 lens (Fuji says it has an 87mm full frame equivalent focal length). This helps explain why many of the focal lengths of Fuji’s GF lenses are atypical. Mount that same focal length on Fuji’s medium format (0.79x crop factor), and it will behave like a 79mm focal length. A 100mm lens, then, will behave like 100mm on the 35mm/full frame sensor, while the same lens mounted on a Fuji APS-C sensor (1.5x crop factor), will behave like a 150mm lens (full frame equivalent) in terms of focal length. A full frame sensor has a 1.0x crop factor, and the industry standard for focal lengths is in the full frame/35mm standard because of this. You’ll note that the chart in the opening section also shows the various crop factors associated with the size of the relative sensors. While the image circle is smaller than the Hasselblad 53.4 x 40mm sensor, it is still considerably bigger than any full frame image circle, and the lens mount diameter reflects that. This means that medium format lenses are going to be bigger than comparative Sony full frame lenses as a matter of course, because they start at nearly a 66% larger diameter. The front opening of lenses changes according to the focal length and aperture combination, but the rear diameter at the mount is consistent. The inner mount diameter is 65mm, which is significantly larger than Fuji’s own APS-C X-mount (44mm), Sony E-mount (46.1mm), Canon’s RF (54mm), or Nikon’s Z mount (55mm). If you are unfamiliar with medium format and know Fuji more for X-mount, prepare to be shocked by how huge the mount size actually is. 5-Axis Sensor-Shift Image Stabilization.

4K30 Video F-Log Gamma, 12-Bit Raw Out.Here’s a breakdown of the basic features of the camera::

Fujifilm GFX 100S Build, Handling, and Features As always, this is a completely independent review. Thanks to Fujifilm Canada for providing me a review loaner of the GF 20-35mm along with the GFX100S body to test it on. You can watch my video review or just keep reading…įollow Me Patreon | My Newsletter | Instagram | Facebook | Twitter | Flickr | 500px Are you a candidate for Fuji’s medium format alternative to the traditional full frame route? Join me as we explore this rather complicated topic.